The theme in (3) is each of the conference participants. This is a unique theme despite the presence of participants in the plural-Nov. The first thing we need to do to choose the right form of verb is to find the subject. We can do this by asking who or what does the activity in the sentence. Then we have to determine the number of the subject: is it singular (one) or plural (more than one). The next step is to get the verb approved – plural subjects adopt plural verbs (are, have, do, play, sing); The singular subjects take verbs in a singular form (is, a, done, plays, sings). Although it is quite easy to approve the English verb with the subject, complex topics can sometimes create problems with the chord by theme. Alternatively, cases of the use of a plural verb with a singular noun that suggests plurality because of its meaning and context are often reported. These names include couple, trio, crowd, family, crew, crowd, generation and committee. You might see a phrase like “The couple was seen, abandoned in a grey car” or “The crew was getting ready for departure, ” where what is usually the singular subject (couple and crew) is associated with a plural verb (were). Of course, there is only one student who wants to take the exam; still the verb must be plural. The logic is the same as in the example (9): two must be followed by a plural noun (students) and the verb agrees with it.

Most English people speak the basic rule of the subject verb chord: a singular name takes on a singular verb, and a plural noun takes its corresponding plural. If you have z.B. a composite or pluralistic subject that functions as a singular unity, it sometimes seems “natural” for the subject to take a singular verb, despite formal rules that are the opposite. Simply put, a fictitious chord occurs when the agreement between a subject and its verb (or, in some cases, a pronoun and its predecessor) is determined by meaning and not by form. But there are times when the arrangement of what is considered an “agreement” is not so obvious, because what sounds like a single name is truly plural, or what sounds like a plural noun is essentially singular. This concept is called fictitious chord, also known as fictitious concord or synese. Finally, in “X is Y” constructions, the verb always corresponds to X. Here and here, there are never subjects. The subject follows the verb, and the verb should always match. Note that the verb may change its position in relation to the subject.

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