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narrative media

being boring: un net.film democratico [sunday premiere].

[español & english]

being boring: [un net.film de fran ilich]
http://delete/tvbeing_boring/

No Playstation. No TV. Vida real. Por una semana

‘2 chicas se quedan sin televisión y deben inventarse una vida en lo que reparan su tv..’ Tú puedes votar sugiriendo lo que estas chicas deben hacer al día siguiente.
(more…)

[neural.it] Remixing reality with narrative media.

10.03.04 Remixing reality with narrative media.
http://neural.it/nnews/remixingreality.htm

I codici multiformi dell’espressione mediale sono ben lungi dall’essere patrimonio comune nei loro meccanismi, risultando ancora ad appannaggio di specialisti che accoppiano felicemente nuova tecnica ed esperienza precedente. L’analisi di questo necessario tipo di alfabetizzazione della narrativa dei media è al centro di ‘Remixing reality with narrative media’, seminario e workshop curato alla Universidad Internacional de Andalucía di Siviglia da Fran Ilich e Pedro Jiménez. La molteplicità delle forme di narrazione (orale, testuale, audiovisiva, digitale, sonora e grafica) viene scandagliata da Juliàn Boal , direttore del Teatro del Oprimido, Andrea Zapp, ricercatore di ambienti narrativi in rete, Olia Lialina, una delle prime artiste ad utilizzare la rete come tecnica artistica, Nora Barry, creatrice di ‘The Bit Screen’, fra i primi siti dedicati allo ’streaming cinema’ e Robin Rimbaud, alias Scanner, che terrà un concerto. ispirandosi alla potenza delle visionarie teorie di Alexander Astruc negli anni quaranta (la telecamera usata in maniera flessibile come una penna - ‘camera stylo’, e la costruzione di archivi filmici liberamente ‘campionabili’), il progetto mira a discutere degli strumenti di ’scrittura multimediale’ in senso compiuto, guardando in prospettiva attraverso l’apposito sito ‘Narrative Media’, parallelo alla manifestazione.

by alessandro ludovico.

Autolabs

Autonomously created with the help of local communities at 3 of the poorest districts of the city of são paulo, Brazil (ermelino matarazzo, são miguel paulista and itaquera), Autolabs are thought to be laboratorial prototypes of media literacy and technical formation in new technologies and media. All based on tactical concepts, Autolabs use cheap DIY media, allowed by the digital revolution accessability, promoting the development and improvement of independent individual and/or collective media production, in a creative way and using free sofware/open source operational systems. Autolabs are centers of orientation, documentation and self-education with free and open access, where human mediation prevails in the process of accessing knowledge as a generalized exchange of wisdoms, stimulating participation and collective work.

Reaching the center - as opposed to the peripheries, since it`s a local and cultural dichotomy very present in Sao Paulo - is part of a tactic to rethink the much debated digital divide. In Brazil, the establishment is used to believe that the antidote to the digital divide could be what they call “digital inclusion”. A very Brazilian expression, “digital inclusion” is a concept pervaded by very obscure, paternalistic and demagogue allusions. By merely meaning “to give digital access to those who don`t possess computers”, the “digital inclusion” itself reflects the same historical social problems that it refers to. Implemented in a one-way policy by the State and usually lacking a deep comprehension of the everyday life practice, uses and local needs of the communities, the “digital inclusion” policy faces the consequences, not the causes, and generally creates more problems than solves them. It reinforces the belief that providing hardware is the only solution and gives emphasis more on mere consumption than critical/creative production.

The new global economy and new technologies demand renewed skills, competences, forms and practices of writing and reading. In this sense, through hypermedia use and integrated systems in a network of cooperative learning more and more connected to independent professional formation, Autolabs intend to supply a literacy on media development and production for those who cannot afford it, teaching sound, radio, graphic and web production, uniting various autonomous social initiatives, mobilizing actions based on collective strategies of creation, and having a lively, organic and nomadic dynamics.

Among other things, Autolabs are planned to generate new practices, new forms of work, teaching how to use new media as means of action and transformation of worlds, opening a space for cultural, artistic and media interaction, instructing individual or groups excluded from the new paradigm raised by the technological revolution, proposing useful ways of integrating informational technology and the needs of a given community, promoting the exchange of experiences (ideas, perceptions, insights) and collectivization of information, creating new spaces for political participation on the territories explored by this very formation, developing visual, sonic and textual sensitivities, thus making social actions of collective utility possible.

But did it all work?
http://www.midiatatica.org/autolabs
More about Autolab’s ‘Oficina de Histórias’ soon

net.Zitcom 7 (trip to the bahamas. viaje a las bahamas.)

net.Zitcom
http://delete.tv/net.zitcom/

Episode 7: Trip to the Bahamas
w/ Sol-Ho & Cindy Gabriela Flores. dir. Fran ilich

“One of the most surprising projects on the Net during the last year.”
Diario La Nación, Buenos Aires.

New episodes every Sunday!
(more…)

RESUMEN DE LA INTERVENCIÓN DE OLIA LIALINA: STORYTELLING EN EL NET.ART

Autoejerciendo de crítica de su propia obra, Olia Lialina distinguió durante su intervención en la cuarta sesión de Remezclando la realidad con los narrative media tres etapas fundamentales en su producción creativa como net artista. En un primer momento, sus proyectos de net.art articulaban una serie de narraciones con una estructura dinámica y abierta que jugaba con el carácter interactivo del ciberespacio. En una segunda etapa, re-utilizó las características y herramientas de los navegadores (barra de direcciones, barra de estado, texto alternativo…) como un elemento clave de sus narraciones. Y en una tercera fase (en la que sigue actualmente), está llevando a cabo una recreación salpicada de ironía (pero también de nostalgia) de los primeros años de Internet, cuando abundaban las webs personales y amateurs (con sus toscas animaciones y sus colores chillones) y aún no se había puesto en marcha el proceso de profesionalización que trajo consigo la “revolución de las punto.com”.
(more…)

RESUMEN DE LA INTERVENCIÓN DE NORA BARRY: CINEMA ONLINE

Creadora de The Bit Screen, el primer sitio web de películas realizadas explícitamente para Internet, Nora Barry comenzó a trabajar en la Red con la intención de desarrollar una propuesta narrativa en torno a las peculiaridades del proceso de contar historias en los nuevos medios digitales. Con experiencia previa en el campo audiovisual -fue guionista y productora de un programa infantil de televisión-, a mediados de la década de los 90 Nora Barry empezó a intuir las numerosas posibilidades creativas que brindaba este nuevo soporte tecnológico.
(more…)

RESUMEN DE LA INTERVENCIÓN DE ANDREA ZAPP: NARRATIVA Y NETWORD

En la segunda sesión de Remezclando la realidad con los narrative media, Andrea Zapp, editora del libro Networked Narrative Environments as imaginary spaces of being, presentó tres de las propuestas de narrativa digital que ha realizado durante los últimos años. A body of water (1999), una instalación interactiva que llevó a cabo en la región industrial alemana de Rhur -que por aquel entonces estaban sufriendo un profundo proceso de reconversión- donde, entre otras cosas, se emitían imágenes de empleados de las minas sobre cortinas de agua. Little Sister. A 24 hr online surveillance soap (2000), su particular construcción de un experimento de tele-realidad y tele-vigilancia mediante la utilización de una serie de web-cams repartidas por distintos puntos del planeta. Y The Imaginary Hotel (2002-2004) que a través de Internet permite a los navegantes re-decorar la habitación de un hotel, y después proyectar esas intervenciones en espacios reales.
(more…)

RESUMEN DE LA INTERVENCIÓN DE JULIÁN BOAL: TEATRO DEL OPRIMIDO

En la primera sesión de Remezclando la realidad con los narrative media, el traductor y cineasta Julián Boal analizó el contexto histórico, político y cultural que dio origen al Teatro del Oprimido durante los años 60, así como su expansión en las dos décadas posteriores en Francia y su situación en la actualidad, con decenas de grupos repartidos por diversos puntos del planeta que se declaran herederos de este método. A juicio de Julián Boal, su expansión y diversificación ha conducido a una frecuente desactivación de su potencial subversivo y emancipador, dándose el caso de proyectos que aplican las técnicas y planteamientos del Teatro del Oprimido para mejorar la rentabilidad de ciertas empresas o con fines meramente terapeúticos.
(more…)

net.Zitcom 6 (mosquito bytes. piquetes de mosquito.)

net.Zitcom
http://delete.tv/net.zitcom/

Episode 6: Mosquito bytes
¿Mosquito bytes or disgusting acne?
w/ Sol-Ho & Cindy Gabriela Flores. dir. Fran ilich

“One of the most surprising projects on the Net during the last year.”
Diario La Nación, Buenos Aires.
(more…)

net.zitcom 5 (I don’t want to be somebody else. Yo no quiero ser otra persona.)

net.Zitcom
http://delete.tv/net.zitcom/

New episodes every Sunday!
Episode 5, Sunday April 18, 2004.
I don’t want to be somebody else

The girls are facing an existential dilemma related to being and cell exfoliation.
(more…)